Unless they changed it in the TPB… There is no “Born Again” chapter.
Unless they changed it in the TPB… There is no “Born Again” chapter.
If so, I didn’t know that… But either way it wasn’t illustrated by Klaus Janson…as the actual Born Again was. I wonder if they reached out to Janson for permission to reprint his art from DKR and he responded, “Why would I care?”Edit…oh, but it was inked by Janson. OK. Maybe.
I bought this book today for $12, marked down from $40. And I gotta say… That’s clearly DARK KNIGHT RETURNS and not BORN AGAIN.
I’ve separated myself from Frank Ocean’s CHANNEL ORANGE for about…a year? And, yeah, “Pyramids” is still the greatest song in recent memory. It’s PURPLE RAIN-era Prince recording a DARKNESS ON THE EDGE OF TOWN-era Bruce Springsteen song, and honestly better than anything on either of those albums. Sorry, just stating facts.
Friday night: folding custom tea bags for MICE.
Test fold: Colonial Comics Volume II tea bags. I’ll be filling them with tea and giving them out at MICE. So, in addition to being able to get the first copies of the book, you’ll be able to throw some tea in the Boston Harbor after the show.
Need to tweak the design a bit and perfect the fold, of course…
Here it is, the call for submissions for Colonial Comics volumes One and Two!
The first volume of Colonial Comics focused on little-known stories of colonial New England between the years 1620 and 1750. The book featured a collection of historians, writers, and illustrators telling stories of female business owners, slaves, Native Americans, Jewish settlers, and more. With the next two volumes, we’re opening it up for some new writers and artists who want to work with us to tell the stories that tend to get passed over by the history books. If you’re interested in contributing, please read the full post and then start sending some emails to Jason Rodriguez at firstname.lastname@example.org.
Who Can Contribute?
Anyone! Seriously, no comics experience required as long as you have a good story. In the first volume we had a good mix of published comics writers and illustrators, first time comics writers, and first time writers. Depending on your situation, we’ll pair you up with an editor and/or a writer and/or an illustrator who can best help you adapt the story into comics. In these books, content is king…and if you come to us with a story that we need to have in the book, we’ll do whatever we can to make sure you’re the one to tell it.
What Kind of Stories are you Looking For?
For the second book, we’re focusing on New England from 1750-1776. The book will end with the Shot Heard Round the World and the start of the American Revolution. We would like to have stories about how the revolutionary spirit trickled down to the everyday people. So any stories that don’t feature the usual people we associate with the Revolutionary period (Franklin, Jefferson, Revere etc) will be seriously considered. If you do want to focus on a well-known person, you should tell a story that goes beyond the standard biography. For example, Alexander Danner pitched a story about John Adams and Thomas Jefferson having a discussion about germs which is a perfect fit for the book. There’s a revolutionary history aspect to it (they were on their way to a continental congress…which actually could make it a better fit for the third book) and a more off-the-beaten-path revolutionary aspect to it (recent advances in microbiology).This book will be released in Fall 2015 and completed (illustrated and lettered) stories will be due in March 2015. Stories should be no less than five but no greater than 15 pages long. The ideal length is 11 pages and we’re aiming to have 20 stories in this volume.
The third book currently focuses on the Mid-Atlantic region between the years 1606 and 1776. We’re currently just looking for interesting stories, and there’s no overarching theme for this book yet. With the New England book, we eventually saw enough of a divide in the subject matter to split it into two books. With the Mid-Atlantic books, we Virginia and Pennsylvania would be a safe bet. If they catch our attention, we’ll put them on the list. This book is aiming for a Summer 2016 release, with stories competed (illustrated and lettered) by December 2015.
What If I Just Want to Illustrate Someone Else’s Story?
Send us samples of your work and an idea of the type of story you’d like to work on (action, mystery, talking heads, etc). It’s really that easy. We’re always looking for new artists, colorists, and letterers.
Do I Get Paid?
Yes, all writers and illustrators will receive a small advance against royalties. Fulcrum has a long history of selling non-fiction books and a aggressive marketing plan to go along with it. Spot illustrators, colorists, and letterers receive page rates up-front and will get additional money from the Work For Hire bonus pool in the event the book sells well.
Do I Own The Story?
Yes. Everyone retains copyright on their work but grants the book publishing rights. If we don’t decide to use your story we won’t assign it to someone else. If we do decide to work with you we’ll talk you through the agreement, advances, royalties, copyright, etc.
How Do I Know If My Story Is Original?
We will keep an active story list so you can see what stories are in development. Occasionally, there may be a story up there with no one assigned to it. This will be the case if I discover a story and don’t have anyone working it yet. You can try to pitch that story, but keep in mind I’m most likely actively looking for someone to take it.
Please note that even if a story is in development, it does not mean that it will make it into the final book. Our aim is to have between 20 and 24 stories in each book.
I’m Ready! How Do I Submit?
Send an email to email@example.com and let me know who you are and how you’d like to contribute. If you have any samples of previous work send them along. If you’re not sure what you want to do yet but just want to put yourself on my radar and say “hi,” go right ahead. Better to know you now and the type of story you’re interested in, in case something comes up.
And that’s that! Hope to hear from you all.
Editor, Colonial Comics
Lost….in Nebraska. This spring on ABC.
|Me:||You should come to chicken club.|
|Me:||A bunch of us eat fried chicken once a month.|
|Friend:||And do what?|
|Me:||Eat fried chicken...it's a chicken club.|
The SMALL PRESS EXPO is coming September 13-14 and the DC Conspiracy will be out in full force once again. The kind folks in charge of assigning tables has allowed us the same spot that we were in last year. Here are the folks that we’ll have representing the local Washington DC comics scene:
SPX is THIS WEEKEND and although I won’t be there, the DC Conspiracy will be there and you should stop on by and buy their books and talk to them about comics.
This is the first time I won’t be attending SPX for quite some time. I gave up my table since the Colonial book won’t be ready and, since I’m busy practically every weekend through October, the wife and I decided to head to Kansas City/Lincoln, NE/Omaha to see some friends.
And then the madness really starts, for me.
So, every October the NFL has their players wear pink cleats and wristbands for Breast Cancer Awareness but, also, to sell pink jerseys and the like. October is also Domestic Violence Awareness Month, however, and the official color is purple. Just thinking, maybe the NFL should wear purple, instead, and then the top brass will become more aware of the issues surrounding domestic violence…and they can sell purple jerseys, of course.
Dog Day at Great Waves.
While doing the dishes I jokingly asked myself, “What came first, the penis or the vagina?” and then I was like, “Woah, wait, why do we have sex?” and now I can’t stop reading theories on why sexual reproduction is more favorable than asexual reproduction.
And so it goes.